En lille dreng i et sofahjørne by Anonymous

En lille dreng i et sofahjørne 1845

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drawing, print, paper, ink

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portrait

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drawing

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ink paper printed

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print

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figuration

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paper

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ink

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romanticism

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watercolour illustration

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genre-painting

Dimensions: 233 mm (height) x 271 mm (width) (bladmaal)

Curator: This delicate ink drawing, “En lille dreng i et sofahjørne,” which translates to "A Little Boy in a Sofa Corner," was rendered by an anonymous artist in 1845. The piece now resides at the Statens Museum for Kunst. What are your first thoughts? Editor: There's a quiet solemnity about this image. The way the artist has used line to depict the light falling on the child… It’s quite striking. Is he praying? Curator: The cultural context certainly points to that possibility. Representations of children often carried heavy symbolic weight during the Romantic period. This piece seems typical for the time, likely a commentary on the innocence of childhood or the vulnerability of youth, packaged for middle class consumption. Editor: Indeed. Note the textures. The roughness of the paper seems so at odds with the fragility of the moment portrayed, like a child bundled uncomfortably by coarse cloth, an interesting juxtaposition to consider given the themes. Curator: From my perspective, the paper’s likely not a coarse, cheap choice, but intentionally textured to invoke older drawing practices, hinting toward both historical context and perhaps referencing the print-making tradition, all serving specific societal audiences that this object itself was intended to service. Editor: That’s a compelling perspective. But what is the function of the peculiar decoration of the sofa's edge? Are those talismans, each containing a piece of a family story, carefully positioned around the boy like a protective charm? Curator: Interesting consideration. Such an intricate, almost mass produced lithograph suggests a burgeoning industry eager to reach a wider audience. These prints become domestic objects, mirroring the increasing importance of family life, and even personal religion for a burgeoning middle class. The production methods speak volumes about shifting social landscapes. Editor: So true... And for me, the bent head and folded hands speak to an almost universal yearning for security and guidance. What a delicate glimpse into a very personal cultural understanding of children. Curator: I concur entirely. Exploring it with you through its production, use and symbolism certainly adds valuable texture to our own understanding of this cultural fragment.

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