Floating Compass by Archie Thompson

Floating Compass c. 1938

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drawing, coloured-pencil, watercolor

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drawing

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coloured-pencil

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watercolor

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coloured pencil

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geometric

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academic-art

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modernism

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miniature

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watercolor

Dimensions overall: 56.5 x 46 cm (22 1/4 x 18 1/8 in.) Original IAD Object: outer box: 12" high; 12" wide; 7 1/2" deep

Curator: This miniature colored pencil and watercolor drawing from around 1938 is titled "Floating Compass," created by Archie Thompson. Editor: Immediately I am struck by the intimacy of this image. It feels like peering into a secret, almost like a diorama presenting navigation. Curator: Exactly. Let's delve into how a seemingly straightforward geometric design can unlock such rich layers of meaning when understood against the backdrop of its era. I wonder, does this piece evoke pre-war anxiety for you, considering its age? Editor: The compass, historically a tool of exploration and mastery over the seas, is definitely loaded with symbolism. Look how the familiar fleur-de-lis transforms, appearing almost weaponized at the compass points. Perhaps this speaks to national pride, or the era's aggressive ideologies? Curator: Precisely. It’s tempting to connect that decorative flourish with prevailing militaristic attitudes – consider that 1938 marked a point of escalating tension with Germany’s annexation of Austria. The rise of political extremism shaped all facets of life at that time, right down to aesthetics. Editor: And look at the shadowbox in the drawing, complete with the miniature scene inside, is quite dreamlike! It adds this odd sensation. Like memories within memories. Curator: Yes. It highlights the subjectivity of perspective, too. Do we really 'know' anything, or simply interpret representations within representations? This theme was especially pressing during a period when media was rapidly transforming public perception, making fact seem increasingly porous. Editor: The precision of execution makes me wonder what the symbolic role of miniaturization plays in times of larger conflict. Almost a retreat into something controlled, delicate. Like trying to keep an entire worldview protected in one box. Curator: It almost evokes something psychological, an idea to grapple with overwhelming events by reducing and compartmentalizing. I also think Thompson here creates an insightful reflection on a rapidly changing, turbulent geopolitical climate. Editor: Definitely, art allows these connections to unfold and reveal their truth. Seeing art like this enriches how we explore these emotional associations. Curator: Agreed. Art such as this compels us to consider how context is integral in shaping these collective experiences.

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