Two Eyes c. 1940

Editor: Here we have Stuart Davis's "Two Eyes," a small sketch at the Harvard Art Museums. It's almost like a note to self, referencing Picasso. I'm curious about this reference. How do you interpret this work in light of Davis's engagement with the art world? Curator: Well, Davis's note reveals the artist is in dialogue with the legacy of Picasso. Davis notes how Picasso’s “drama” hinges on ideas, represented by these two eyes. Consider how Davis positioned himself within the artistic landscape: how does referencing Picasso potentially serve Davis's own artistic aspirations? Editor: That’s a really interesting way of framing it. Thinking of it as a strategic positioning rather than just an influence. Curator: Exactly. It highlights the active role artists play in shaping their own narrative.