tempera, painting
portrait
tempera
painting
figuration
11_renaissance
group-portraits
history-painting
italian-renaissance
Il Sodoma painted this Holy Family with Young Saint John, filled with symbolic meaning, sometime around the early 16th century. Here we see the infant John offering a cross to the Christ Child, a powerful symbol of Christ's future sacrifice and redemption. Consider the motif of the cross, an emblem of suffering and faith, which has traversed epochs. Its echoes can be traced back to ancient symbols of cosmic balance and sacrifice, long before Christianity. We see similar symbolism in the Egyptian Ankh, looped cross, a symbol of life itself, reflecting humanity's enduring fascination with symbols of power and transformation. The cross here is an emotional catalyst, engaging viewers on a deep, subconscious level. The viewer cannot help but feel a sense of foreboding, an unconscious awareness of destiny. This symbol has been adapted and reinterpreted across time, a testament to the non-linear progression of symbols as they resurface and evolve.
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