Landscape (from McGuire Scrapbook) 1839

Charles Antoine Colomb Hubert, also known as Gengembre, made this landscape drawing with graphite on paper in the 19th century. The drawing is a study in tonal range, created by varying the pressure of the graphite on the page. See how the artist captures the rough textures of the rocks with short, dark strokes, in contrast to the soft, feathery quality of the trees. The landscape is created through simple marks, which create a sense of depth and volume, particularly in the rendering of the rocks. Graphite, in its industrial form, connects this drawing to wider social issues of labor and resource extraction. Think of the graphite mines and the workers who toiled to extract this material. Consider, too, the contrast between the delicate artistry on display, and the raw materials at its origin. It reminds us that even the most refined artwork is rooted in physical processes and labor. By focusing on these aspects, we can challenge traditional distinctions between fine art and craft, and appreciate the full meaning of Hubert's drawing.