Gezicht op de Kathedraal van de Maria-Tenhemelopneming, Palermo by Jean Andrieu

Gezicht op de Kathedraal van de Maria-Tenhemelopneming, Palermo 1862 - 1876

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photography, architecture

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landscape

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photography

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coloured pencil

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cityscape

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architecture

Dimensions height 88 mm, width 177 mm

Editor: This is Jean Andrieu's photograph, "View of the Cathedral of Maria Santissima Assunta, Palermo," taken sometime between 1862 and 1876. It’s presented as a stereograph, almost like looking through old-fashioned binoculars. The scene feels incredibly still and monumental. What strikes you when you look at it? Curator: The cathedral looms large, doesn’t it? This isn't merely a record of architecture, but a document imbued with the weight of cultural memory. Notice how the cathedral synthesizes Norman, Arab, and Byzantine architectural elements – a powerful visual representation of Sicily's complex history, each culture leaving its symbolic mark. Consider, too, what the photographer chooses to omit. Editor: What do you mean? Curator: Well, look closely: where are the people? This near-absence speaks volumes. Are we meant to focus solely on the imposing structure, perhaps seeing it as an enduring symbol transcending everyday human activity? Or does this void suggest something else about the social context of the time? Does it give a feeling of historical weight? Editor: That’s a great point. It does emphasize the enduring presence of the cathedral, as a sacred building and almost as an idea in and of itself, doesn’t it? The near monochrome tones add a certain austerity as well. Curator: Yes, the limitations of early photography play their part, emphasizing the solid forms and textural details of the stone. We, the viewers, must question our perspective by viewing through our contemporary lens to question what the symbol means for us. How do these cultural fragments piece together? Editor: That’s fascinating – looking beyond the image and seeing the layers of meaning embedded within. It's really helped me think about photography as more than just documentation. Curator: Indeed, photography itself can function as a symbolic language, reflecting the evolving cultural narratives and anxieties of its time. Thank you for your insight into such beautiful work!

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