The Departure of a Sultan 16th-17th century

Curator: This is Antonio Tempesta's "The Departure of a Sultan," a detailed etching. I see it's quite long, about 45 cm. Editor: It feels like a frieze, an unfolding narrative. All those figures, mostly on horseback, almost like a moving tapestry. Curator: The procession format carries a lot of historical weight, recalling triumphal entries or religious processions, but repurposed here to showcase Ottoman power. Notice the turbans and weaponry. Editor: Yes, and the lines are so fine, creating a sense of texture and movement despite the limited tonal range. It's interesting how much information he conveys using just line. Curator: Tempesta clearly intended to depict the splendor and organization of the Sultan's retinue, emphasizing cultural and military symbols for a European audience. Editor: Thinking about the labor involved in creating this print, the skill needed to translate such a scene onto a copper plate, is fascinating. Curator: The image becomes a potent symbol itself, reflecting anxieties and fascination about the Ottoman Empire. Editor: I find it amazing what the artist accomplished with the tools available at the time.