Armchair by Virginia Kennady

Armchair 1939

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drawing, watercolor

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drawing

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water colours

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watercolor

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watercolor

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realism

Dimensions overall: 39.2 x 28.7 cm (15 7/16 x 11 5/16 in.) Original IAD Object: 46"high at back, 22"wide at seat front, 22"deep at seat. See d.s.

Curator: Before us, we have a watercolor drawing titled "Armchair" created by Virginia Kennady in 1939. Editor: It's striking in its simplicity; the muted colors and direct representation of a familiar object create a calm, almost nostalgic feel. Curator: This piece speaks to the WPA Federal Art Project, an initiative that employed artists during the Great Depression. We see an embrace of realism focused on everyday subjects. The materials, humble watercolors, remind us of resourcefulness in a difficult time, offering a direct connection to a specific historical and social context. Editor: And the composition is masterful; the chair occupies the space perfectly, allowing our eye to appreciate the intricate details of its form and material, like the elegantly curved back and the subtle variations in wood tone. There's a pleasing geometric harmony between the angular legs and the curvilinear backrest. Curator: Absolutely. Examining its construction reveals values associated with labor and utility. What kind of craftsman assembled this? From what specific location were these wooden materials procured? Those details become fascinating entry points. Editor: The limited palette—earthy browns and greys—is very effective. It's not just about the wood; it's about creating an emotional presence for a mass-produced artifact, in a subtle, unpretentious way. We tend to underestimate such seemingly simple images but this work truly exudes compositional clarity, doesn't it? Curator: This seemingly simple image of a utilitarian object asks deeper questions regarding production, labor, and consumption under extraordinary economic conditions. The artist’s labor intersects directly with larger questions of artistic production in a period of immense social upheaval. Editor: It’s incredible how something so commonplace, carefully observed and represented, transcends mere objecthood through its very form. Its clarity helps to slow us down. Curator: Right. The materials tell such a strong story here. Editor: And its elegant contours keep that story compelling.

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