Muttar il Hamoud min Beni Hassan 1920

Curator: There's a quiet intensity in Eric Kennington's "Muttar il Hamoud min Beni Hassan." I love how the light seems to catch every fold of fabric, giving him such presence. Editor: He seems deeply thoughtful, doesn't he? Melancholy, perhaps. The colors, though vibrant, feel muted, like a memory. Curator: Kennington, who lived from 1888 to 1960, had a knack for capturing the human spirit, especially those he encountered during his time as a war artist. Editor: It’s interesting how war art often humanizes the "other," challenging us to see beyond stereotypes, even years after its creation. Curator: Exactly. And the Tate's decision to include this in their collection only amplifies that enduring power. Editor: Well, I feel I've met this man somehow, even though he's frozen in time. Curator: Indeed, it feels like a bridge across cultures and eras, doesn't it?