Model of a Cart by 's Lands Werf Amsterdam

Model of a Cart c. 1797 - 1801

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sculpture, wood

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neoclacissism

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geometric

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sculpture

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wood

Dimensions height 14 cm, width 35.3 cm, depth 19.2 cm

Curator: Here we have the Model of a Cart, a wooden sculpture dating back to around 1797 to 1801, and created by ‘s Lands Werf Amsterdam. Editor: It's surprisingly elegant, given its utilitarian subject. There's something about the symmetry and the clean lines of the woodwork that is visually pleasing. Almost neoclassical. Curator: Indeed! Neoclassicism was prevalent during that period, so this may mirror the interest in idealized form even in the context of quotidian objects. I'm fascinated by the process, actually. Imagine the skills involved in meticulously crafting this miniature version of a working cart entirely from wood. It begs the question of whether this was intended as a presentation piece perhaps a scaled down model intended to woo a prospective patron? Editor: That's interesting to think about. It brings to mind the socio-economic forces at play during that time. 's Lands Werf Amsterdam would have likely been responding to very specific political needs within the Dutch landscape during the late 18th century. Was this created in a period where maritime or commercial transportation was in focus? What was this cart designed to haul? Curator: That context really enhances the viewing experience, especially regarding the cart’s function. I keep thinking about how the wheels were made. Were apprentices involved? Or were highly skilled woodworkers using the finest materials to create this small artifact? What labor went into something so humble and practical? And ultimately what was the intent of this small work? Editor: I think your points are so central because in considering that process, we can view it as less an isolated art object and more of a node within a larger social network, mirroring class structure, politics, or maybe technological innovation. It certainly gives food for thought. Curator: Absolutely, it does indeed, and what began as an image of something modest ultimately sparks questions that give clues to our broader cultural framework. Editor: Indeed. The intersection of art and work in times long ago certainly provokes consideration when viewed through this particular looking glass.

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