Grosso of Giovanni Soranzo, Doge of Venice c. 1312 - 1328

Editor: This is a Grosso coin of Giovanni Soranzo, Doge of Venice. The metalwork is incredibly detailed. What strikes me is the symmetry of the two figures depicted on one side. What do you make of the composition? Curator: Indeed, the bilateral symmetry is a key element. Notice how the two figures, presumably the Doge and St. Mark, mirror each other. Their garments' folds and the halos above their heads create a balanced visual rhythm. Editor: I see that now, it’s almost like a formal dance frozen in metal. Curator: Precisely. The medium itself, the silver, contributes a sense of enduring value and power. The coin's circular form further reinforces the idea of wholeness and completion. Editor: That’s a fascinating perspective. I hadn’t considered the circular form as contributing meaning. Curator: By analyzing these formal elements, we gain a deeper appreciation for the deliberate choices made by the artist. Editor: I learned so much about symmetry and form. Thank you. Curator: My pleasure. It's all in the details.