Dirk en Wouter Crabeth 1708 - 1780

Editor: This drawing, "Dirk en Wouter Crabeth" by Jacob Houbraken, was made sometime between 1708 and 1780 using pen and pencil. I'm struck by how the figures seem suspended in these oval frames, almost like looking at floating cameos. How do you interpret this work? Curator: It’s interesting you say that. Considering Houbraken’s time, we can see this as more than just portraiture. Think about the rise of historical consciousness during the Dutch Golden Age. Genealogical projects attempted to trace lineage and establish claims to status through carefully-chosen symbols. Editor: So, you are suggesting that Houbraken is actively creating a narrative about the Crabeths? Curator: Precisely. Notice how the portraits are accompanied by a heraldic crest, and, strikingly, a cherubic figure. These elements all point to carefully crafted messages about the Crabeth family. Think about it - what were the social and political implications of linking oneself to a perceived glorious past? Who was included and, importantly, excluded from this constructed narrative? Editor: That's a fascinating point. I hadn't considered the power dynamics inherent in constructing history like that. It’s interesting to think about what motivated these portraits, who had access to them, and whose stories were not deemed worthy of being remembered. Curator: Absolutely. It makes you wonder about whose stories get told and how art becomes a tool for shaping collective memory and, perhaps, even reinforcing existing social structures. What do you make of the choice to have the portraits enclosed by ovals rather than straight lines? Editor: That choice creates the suggestion of movement and dynamism – perhaps referencing the twists and turns of family history. Thank you for guiding me through new lenses that really highlight the art's intricate dialogue!