Portret van een jongen met een hoed op schoot 1862 - 1865

Editor: So this photograph, “Portret van een jongen met een hoed op schoot,” by Charles Thomas Newcombe, dates from between 1862 and 1865. It's a gelatin silver print, and the little boy looks so solemn. What kind of story do you think it’s trying to tell? Art Historian: It’s a formal, staged image, typical of portrait photography of that era. Consider the hat resting on his lap - what could that symbolize? Editor: Maybe a symbol of class or status? Like, he's from a family of means? Art Historian: Precisely. Clothing and accessories were consciously used to project an image. Think of other symbolic elements: the ornate chair, the backdrop. They construct a narrative of belonging and aspiration. Notice the gaze…does he meet your eye? Editor: Not really, it’s like he's looking slightly away. Maybe he doesn’t want to be here. Was this a common look for the time? Art Historian: The averted gaze adds to the impression. This connects with a wider visual language of photography at this time. The photograph captures not only the boy but also, aspirationally, a social ideal. What emotions do these calculated symbols and expressions evoke in you? Editor: I see what you mean! I get how photography could shape stories back then and I can see the signs now that it has been staged! Thanks for your expertise! Art Historian: My pleasure! Each element plays a role in the cultural memory, creating an ideal. Analyzing images gives insights into understanding the culture behind the art.