Jumping Dog Schlick by Franz Marc

Jumping Dog Schlick 1908

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painting, oil-paint

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animal

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painting

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oil-paint

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dog

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landscape

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german-expressionism

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figuration

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form

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oil painting

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expressionism

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expressionist

Dimensions: 54.61 x 67.31 cm

Copyright: Public domain

Curator: Looking at "Jumping Dog Schlick" from 1908 by Franz Marc, one can see the loose brushwork. It's made with oil paint. The tones give the entire canvas this nervous, vibrant energy. Editor: Absolutely! The first thing I noticed was the unbridled energy—it feels like the dog's joy just leaps off the canvas! Curator: Well, it’s Expressionism for you. This kind of work reflects the artistic movements questioning of visual experience through both style and paint application. Editor: Makes me wonder about Marc's connection with the animal... what did it *mean* to paint a dog in this liberated manner? Was it simply about capturing a fleeting moment or exploring the soul of his subject? Curator: Consider that Expressionism at this time sought the inner emotional landscape rather than literal representation. Look at how he reduced the form into simple, bold shapes while at the same time rendering it instantly recognisable. The materials themselves support the style – broad, visible brushstrokes are evidence of process. Editor: Those broad strokes almost feel like the dog is dissolving into pure kinetic energy... like trying to capture a scent on the wind. Did you know Marc associated specific colors with certain emotions or concepts? Curator: That is interesting in terms of the context for the composition. Later, colour and form grew in his body of work to play a much larger role; consider too how Expressionists operated often outside academic structure, producing through experimentation and material investigation... Editor: Absolutely. It feels intuitive—not studied. To me it represents life in pure motion; its transient nature is quite apparent! I guess, Franz Marc captured the essence, as best he knew. Curator: I am of the thought the painting opens up avenues into the Expressionists creative process. And of course, the material production supports their break from past approaches. Editor: In this dialogue between a jumping dog, an artist, and the world...it’s fun and interesting! Thanks.

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