drawing, ink, pen
drawing
hand-lettering
hand drawn type
personal sketchbook
ink
hand-drawn typeface
ink drawing experimentation
pen-ink sketch
pen work
sketchbook drawing
pen
storyboard and sketchbook work
post-impressionism
sketchbook art
This is the back of a Briefkaart aan Philip Zilcken, created around 1912 by Carel Nicolaas Storm van 's-Gravesande. The visual structure hinges on the interplay between geometric and organic forms. Notice the stamp and postmark, rigid in their circular and square designs, juxtaposed against the fluid, handwritten script. This contrast highlights the transition from standardized communication to personal expression. The composition is further articulated by a subtle grid, implied by the address lines, which are then disrupted by the ascending strokes of the handwriting. This tension between order and disorder encapsulates a broader theme of communication – the struggle between codified messages and individual intent. Consider how these formal elements challenge the traditional notion of a postcard as merely a vehicle for delivering information. Instead, it becomes an artifact embodying the complexities of human connection and the mediation of language through form.
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