Lezende man bij een bron by Charles Rochussen

Lezende man bij een bron 1824 - 1894

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drawing, pencil

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pencil drawn

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drawing

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pencil sketch

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landscape

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charcoal drawing

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pencil drawing

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pen-ink sketch

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pencil

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realism

Dimensions height 208 mm, width 147 mm

Curator: Charles Rochussen, a Dutch artist working in the 19th century, is the author of this pencil drawing titled “Lezende man bij een bron.” Currently, this piece is held in the collection of the Rijksmuseum. Editor: It has a very ephemeral feel. Like a fleeting moment captured. All those soft greys feel so atmospheric. Almost ghostly, like a memory. Curator: It’s interesting you say that because Rochussen was known for his detailed realism, depicting everyday life, and this piece, with its soft edges, departs slightly from that norm. There's a distinct narrative—a man reading near a fountain with his horse, but there's something else at play here, wouldn't you say? A tension of labor and leisure? Who is reading? How free is he? Editor: Absolutely. He looks contemplative, yet slightly weary. The horse beside him is beautiful. I imagine he might be weary too from long journey or labor. But the drawing feels like it’s hinting at something more profound than a mere rest stop. Perhaps about knowledge as privilege, the freedom to reflect. The location feels allegorical as well, a quiet scene in nature. Curator: That's a compelling way to look at it, as if Rochussen embedded within the simplicity of the landscape, ideas about access. Reading wasn’t necessarily accessible for all in 19th-century Netherlands. And let’s think, too, about how nature features. Are we romanticizing something, a pastoral setting, even? The horse doesn't necessarily partake in any potential privilege. How does Rochussen place us within this scene as viewers? Editor: Perhaps we, as viewers, become implicated in this quiet observation, in the unacknowledged disparity. What does it mean to quietly enjoy something that isn't a shared luxury, like having time for reading during daylight when one should labor to live? The way that water stream divides from the fountain creates such a contrast: there is freedom in some division, for others such fracture could only be lack. Curator: Exactly! Rochussen makes the mundane deeply complex and poignant with minimal detail. He invites us to contemplate social dynamics embedded within ordinary moments, captured fleetingly in pencil strokes. Editor: It lingers in the mind. All the nuances of labor, leisure, and access made visible in muted greys.

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