La salamandra, bozzetto di scena 1928

Enrico Prampolini's stage design for "La Salamandra" presents us with a striking composition of geometric forms set against a deep blue backdrop. Note how Prampolini uses contrasting elements to create a dynamic visual experience. The severe vertical lines of the screen on the right and the bizarre, totem-like object to the left establish a spatial framework. The composition is bisected by the white cloud, adding a touch of surrealism. These shapes are not merely decorative; they signify the essence of Futurism, which sought to capture movement, speed and transformation. The artist plays with vertical and horizontal axes, challenging our perceptions. The Futurist movement was invested in transcending traditional artistic boundaries, and Prampolini's stage design embraces the philosophy of creating environments that immerse the viewer in a dynamic, multi-sensory experience. Ultimately, this work underscores how Futurist aesthetics explored abstraction to suggest new ways of perceiving reality.