Portret van een onbekende zittende vrouw met een hoed op haar schoot by R. Piper

Portret van een onbekende zittende vrouw met een hoed op haar schoot 1860 - 1896

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photography

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photography

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genre-painting

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realism

Dimensions height 98 mm, width 60 mm

This portrait of an unknown woman was made with photography, a relatively new medium in its time. In the 19th century, photography democratized portraiture. Before, only the wealthy could afford painted portraits. This photograph, though, captures the woman's attire in great detail. Look closely, and you'll see the texture of her patterned dress, and the elaborate hat resting in her lap. These details speak to the rise of consumer culture, with new textiles and fashions becoming more accessible. Photography captured these material realities, reflecting the increasing importance of clothing and accessories in defining one’s identity. The serious expression of the sitter is a far cry from our contemporary understanding of portraits today, but despite this, it captures a moment frozen in time. It reminds us that even a simple photograph is a constructed object, capturing the intersection of materiality, labor, and social identity.

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