Card Table c. 1815

Editor: So, this is Charles-Honoré Lannuier’s "Card Table," circa 1815, crafted from wood and carving. I'm immediately struck by its rather theatrical form, almost like a stage for a miniature drama. How do you interpret its structure? Curator: The object’s structure speaks volumes. Note the stark contrast between the flat, unadorned plane of the tabletop and the elaborate sculptural base. This dichotomy serves as a visual tension, wouldn't you agree? The linear top is visually suspended by a complex system of figural supports and animalistic feet. Editor: Yes, I see that! It’s almost as though two separate aesthetic sensibilities are clashing, or perhaps, complementing each other. What's the effect of using of different colors? Curator: Observe how the use of contrasting materials--dark wood against gilded elements--furthers the dramatic tension. It fragments our attention. Our eye is never allowed to rest, perpetually moving between the simple geometric shapes and the ornamental excesses of the base. And the symmetry...is it perfectly symmetrical? Editor: I think so! So you are saying that the way the forms play out and interact in this table, the contrast of material, texture and the symmetry are the elements which constitute most of its significance. Do you find the lack of ornamentation in the table to suggest functionality or create more tension? Curator: Its visual severity only amplifies the ornamentation. We observe how one zone affects another. Considering these design choices provides greater appreciation of its aesthetic intention. Editor: That’s a fascinating point. I had not considered the visual severity of the top in conversation with the ornamental excesses of the base before. Thanks! Curator: Precisely! I'm pleased we could reveal some the forms relationship today.