Dimensions: image: 1710 x 795 mm
Copyright: © ARS, NY and DACS, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Richard Serra’s, "Weight and Measure." It’s a minimalist print, stark and powerful, almost like two voids pressing down on the page. What do you see in this work? Curator: I see a challenge to patriarchal structures, through its deliberate use of industrial materials. Serra, known for his large steel sculptures, here reduces form to its essence. How does this contrast impact your understanding of power and presence? Editor: It's interesting to consider the industrial versus the intimate, the monumental reduced to paper. The title suggests a system of valuation too, doesn't it? Curator: Precisely. Who decides what carries weight, what measures up? Serra’s work makes visible these systems, inviting us to question established hierarchies. Editor: I never would have considered it that way. Thanks for expanding my perspective. Curator: My pleasure. It is essential to unpack these works through the lens of social critique.
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This print is closely related to an installation made by Richard Serra at the Tate Gallery in 1992. Entitled 'Weight and Measure', the work consisted of two blocks of forged steel which were placed in the two central sculpture halls. Serra said, 'The tension of the piece is based on its difference in elevation ... The two forged blocks set up a visual field where the entire space becomes a manifestation of sculpture'. This print, made from two etching plates, explores similar concerns. Like the sculpture, the two massive forms differ slightly in size, while their relationship to each other, and to the edges of the paper, makes the surrounding area a positive element in the composition. Gallery label, September 2004