Ontwerpschets affiche voor propaganda kunstbescherming in het leger, schets met twee soldaten. 1939

Editor: This is a preliminary sketch by Leo Gestel from 1939, a design for a poster advocating for art protection within the military. It’s just graphite on paper. The rapid lines give it a very immediate, almost anxious quality. What historical context might have influenced Gestel's message here? Curator: Given the date, 1939, the specter of World War II looms large. Consider the Dutch policy of neutrality, and the growing anxiety around the preservation of cultural heritage amidst impending conflict. How does the institutionalization of art protection within the military function as a preemptive defense? Editor: So, was there a real fear that the military, or perhaps occupying forces, would damage or destroy art? Curator: Absolutely. Think about the deliberate looting of art throughout history, and the symbolic power embedded in cultural objects. Protecting art wasn't just about safeguarding aesthetics; it was about preserving national identity, countering enemy narratives, and projecting an image of cultural superiority, even in times of war. Why use soldiers? Editor: To show they have a duty of care, that protecting art is part of their role? But does this sketch show a genuine interest in the arts, or is it more about controlling the narrative and making the army look good? Curator: Precisely. The sketch becomes a powerful propaganda tool, shaping public perception of the military's role in safeguarding national treasures. The placement of soldiers as guardians reframes their destructive potential into a commitment to preservation. Now, what kind of viewer is Gestel attempting to attract with the artwork? Editor: I guess it targets soldiers to make them be proud of the job they are doing. It really sheds a new light on how even a simple sketch like this can reveal complex socio-political strategies. Thank you. Curator: A sketchbook drawing becomes a potent means of negotiating cultural values amidst a world on the brink. Very thought provoking.