Gezicht op de stadswal en Mariawaterpoort te Utrecht 1773 - 1792

Hendrik Spilman created this print of the city of Utrecht using etching and engraving techniques. These processes involve coating a metal plate with a waxy ground, then drawing through it to expose the metal. Acid is then applied, biting into the exposed lines, creating grooves that hold ink. Engraving refines the details, using a tool to directly cut lines into the plate. The intricate lines you see are a testament to Spilman’s skill and the labor-intensive process of printmaking. The etching and engraving capture the scene's details, from the texture of the stonework to the reflections in the water. The print could be reproduced multiple times, democratizing images and allowing wider audiences to access and appreciate the view of Utrecht. This reproductive technology played a crucial role in disseminating knowledge and shaping perceptions of places like Utrecht during the 18th century. Appreciating the work involved allows us to understand its cultural value beyond just the image it portrays, challenging any separation of fine art and craft.