Groep van suikerwerk met Geloof, Voorzichtigheid en Trouw (?) by Giovanni Battista Lenardi

Groep van suikerwerk met Geloof, Voorzichtigheid en Trouw (?) c. 1686

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drawing, ink

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drawing

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allegory

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baroque

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figuration

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ink

Dimensions height 197 mm, width 155 mm, height 197 mm, width 157 mm

Editor: Looking at this drawing, it feels immediately… ethereal, almost dreamlike. What strikes you most? Curator: Well, "Groep van suikerwerk met Geloof, Voorzichtigheid en Trouw(?)" or “Group of Confections with Faith, Prudence, and Fidelity (?)” it is a drawing in ink from around 1686 by Giovanni Battista Lenardi. You know, right away the monochrome gives it that distant quality you mention. I almost expect it to shimmer! Editor: Ah, the ambiguity of the title adds to that! "Confections..." That contrasts intriguingly with "Faith, Prudence, and Fidelity." There’s a push and pull, a sensory sweetness tied to virtues. What do you make of the composition? Curator: There's certainly a Baroque flourish happening here. The allegorical figures – perhaps Faith, Prudence, and Fidelity themselves – are surrounded by these cloud-like forms. They sit beneath, this feathery burst that dominates the upper part. The line work, you can sense Lenardi really indulging in that kind of spiraling freedom of ink. Editor: Freedom is a great way to put it! It is like controlled chaos. That central figure with the mirror —perhaps Prudence?— she draws my eye immediately. It also makes me wonder: In the context of its time, how might this drawing function in society or in visual culture? Curator: Likely part of a larger decorative scheme. Artists like Lenardi frequently designed ephemeral decorations for aristocratic celebrations. The “confections” in the title then, suggest sugary centerpieces modeled on similar allegories. That the values themselves became something consumable, designed to impress visitors – really says a lot, doesn’t it? Editor: Absolutely. Art, food, values all blending in this temporary spectacle designed to convey the patron's refinement. It also hints at the complex relationship between public display and genuine belief. Did these confectionary allegories encourage devotion or just underscore social status? Curator: Questions with sticky, and delicious, answers perhaps! Editor: Exactly! It just proves that even a small, seemingly quiet drawing can open up such broad avenues for understanding.

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