Dimensions: support: 432 x 314 mm
Copyright: The Work of Naum Gabo © Nina & Graham Williams/Tate, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Naum Gabo's 'Sketch for a Kinetic Construction.' I see it as a dance, a beautifully unbalanced mechanical ballet. Editor: Immediately, the diagrammatic quality evokes a sense of aspiration, like early aviation blueprints promising flight. Is this movement towards utopia? Curator: Perhaps. Gabo, born in 1890, was constantly seeking new forms, and this sketch on graph paper suggests a planned liberation of shapes. Editor: Graph paper makes me think of controlled experimentation, of engineering's promise. Yet, the sketch itself feels so free, almost impulsive. Curator: It's the paradox Gabo embraced: how to create dynamic forms with industrial materials. It's like trapping a gust of wind in geometry. Editor: Absolutely, a symbolic yearning for progress captured in a fragile, transient medium. It still resonates with the same optimistic tension. Curator: It whispers of a future that never fully arrived but still shimmers with potential. Editor: A beautiful reminder that even unfinished dreams can carry so much meaning.
http://www.tate.org.uk/art/artworks/gabo-sketch-for-a-kinetic-construction-t02154
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These sketches are for works both realised and unrealised. Sketch (1917) is reminiscent of several reliefs made in the 1920s, and has been compared to Gabo's 1925 Model for 'Rotating Fountain' (on display here). Sketch (1918-19) is for a relief that would have been composed of intersecting planes protruding from a wall or reaching across a corner. Gabo's aim to make a public art that could play a role in the new society promised by the Russian Revolution is reflected by First Sketch for a Monument¿(1919) Sketch for a Kinetic Construction (1922) demonstrates his radical introduction of real movement to articulate space. Gallery label, August 2004