President of Venezuela, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes by Allen & Ginter

President of Venezuela, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes 1889

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drawing, print

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portrait

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drawing

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print

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caricature

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caricature

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figuration

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academic-art

Dimensions Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Editor: This small print, "President of Venezuela," part of the "World's Sovereigns" series from 1889 by Allen & Ginter Cigarettes, is surprisingly detailed. The swirling red backdrop seems to compete with the formal portrait of the President himself. It feels like a miniature stage. What catches your eye here? Curator: Immediately, I’m drawn to the interplay between the figure and the ground. Note the intricate, almost hypnotic, patterns behind the President. These patterns, rendered with considerable detail given the scale, flatten the space, pushing the President forward. It is an interesting spatial tension. What do you think of how his likeness interacts with this ornate design? Editor: I think the busyness makes the portrait feel less serious. Almost like he’s a character in a play, not a political leader. It's almost a caricature even though it seems formal in its rendering. The artist captured a lot of detail using drawing and printing techniques. How do we balance these observations? Curator: Indeed, the apparent formality is offset by the context—a cigarette card—and the stylized backdrop. Notice the President’s gaze; it's direct, but somewhat softened by the swirling vortex surrounding him. It subverts our expectations of a political portrait. Do you perceive the lines as dynamic or static? Editor: I'd say dynamic because they’re always moving, creating the vortex you mentioned. The crest also competes for my eye and is positioned asymmetrically in the corner. Curator: Precisely. The asymmetry contributes to the overall tension and avoids traditional, rigid portraiture. The visual imbalance amplifies the character's presence. A complex study of the convergence of power and the medium. Editor: I see that the details really complicate the reading. It is more than just a picture of someone. It is an argument between the subject and its world. Curator: And a testament to how art resides in the intricate details, regardless of size.

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