Blad met in twee rijen van vier tafel met alfabet en cijfers by Paul Reimund

Blad met in twee rijen van vier tafel met alfabet en cijfers 1773 - 1815

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drawing, print, paper, typography, ink

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drawing

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print

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paper

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typography

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ink

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coloured pencil

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geometric

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history-painting

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watercolor

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calligraphy

Dimensions height 323 mm, width 383 mm

Editor: This piece is titled "Blad met in twee rijen van vier tafel met alfabet en cijfers," dating from 1773-1815. It’s an ink drawing or print on paper held at the Rijksmuseum. I find the repetitive nature of the alphabet tables both soothing and a little unsettling, almost like a coded message. What draws your eye? Curator: It whispers of a world steeped in meticulous practice, doesn’t it? Imagine someone painstakingly rendering each letter, each number, etching those lessons onto young minds… or perhaps reminding themselves of the fundamentals. It makes me think about the power of simple repetition – how chanting a mantra or even just doodling during a boring lecture can unlock deeper states of awareness. Editor: So you see it as almost meditative? I hadn’t considered that angle. Curator: Precisely! Each cell contains the potential for knowledge, yet, isn’t there also a certain beauty in that formalized structure itself? It also triggers this childhood memory I have, back when learning meant endless repetition... almost like magic squares that, when recited aloud, might yield some secret password for growth and development. Does the rigid nature somehow speak to constraints or possibilities in your eye? Editor: I definitely see the potential for knowledge within those cells. At first, they looked rigid and almost restrictive; yet your perspectives changed this perception of "constraints". Looking again, I perceive it as a launchpad to growth and development! Thank you! Curator: Art, after all, is about constantly redefining, isn't it? This little gem makes me rethink the very foundations upon which we build meaning.

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