Woman Red with White Chrysanthemums, from the series The Appearance of Upper-Class Women of the Edo period (Tokugawa jidai kifujin no sugata) by Yōshū (Hashimoto) Chikanobu (楊洲周延)

Woman Red with White Chrysanthemums, from the series The Appearance of Upper-Class Women of the Edo period (Tokugawa jidai kifujin no sugata) c. 1895

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Dimensions H. 37 x W. 24.8 cm (14 9/16 x 9 3/4 in.)

Curator: What a striking image. This is "Woman Red with White Chrysanthemums" from the series "The Appearance of Upper-Class Women of the Edo period" by Yoshu Chikanobu. Editor: Yes, the contrast is wonderful. The vibrant red kimono against the muted chrysanthemums creates a powerful visual statement. It feels simultaneously bold and melancholic. Curator: Indeed. Chikanobu's masterful use of color underscores the social status of the subject. The elaborate kimono signals her place in the hierarchy of Edo society. Editor: I agree. The chrysanthemums themselves were powerfully symbolic in Japanese art, often representing longevity and rejuvenation, which is fascinating when juxtaposed with the fleeting nature of beauty and power. Curator: The composition also plays a crucial role. Note how the figure is framed by the field of chrysanthemums, drawing the eye directly to her face, the focal point of the entire work. Editor: It’s a poignant representation of a woman caught between tradition and modernity, perhaps aware of the changing tides of her time. Curator: A beautiful interpretation, highlighting the complex interplay of aesthetics and history in Chikanobu's work.

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