Merel op een paal 1900 - 1930

Richard Tepe made this gelatin silver print, _Merel op een paal_, the picture of a blackbird on a pole, sometime in the late 19th or early 20th century. The subtle tonal range feels like a drawing. It’s the kind of quiet observation that comes from spending a lot of time with a subject. I love the composition. The way the pole divides the frame vertically, creating this sense of stillness and balance, and how the grainy texture of the paper gives a tactile quality to the image. You can almost feel the roughness of the pole under the bird's delicate feet. What strikes me most is the bird's eye. Tepe captures it with such clarity, a small point of focus in a sea of gray. It makes me wonder what the bird is thinking, what it sees from its perch. It reminds me of the work of contemporary photographers like Wolfgang Tillmans, who find beauty in the everyday, elevating the mundane to the extraordinary. Photography, like painting, is about seeing and framing, showing us new ways to look at the world around us.