Gezicht op het Rokin te Amsterdam bij maanlicht c. 1891 - 1894

George Hendrik Breitner created this sketch of the Rokin in Amsterdam using graphite on paper. The composition divides the scene into two distinct halves, offering a study in contrasts through texture and light. On the right, the artist uses dense, layered strokes to depict buildings and reflections on the water. Note the dynamic energy in the application of the graphite, which moves from controlled horizontals to loose, cascading verticals. This technique captures the essence of a nocturnal urban scene. Conversely, the left side of the sketch is rendered with a much lighter touch. Breitner employs subtle shading and delicate lines that suggest a muted, almost ethereal quality. This stark difference destabilizes our perception and challenges the idea of a unified perspective. It invites us to consider how varying techniques can alter the meaning of a scene. The sketch showcases Breitner's mastery of form and his sensitivity to light and texture, transforming a simple cityscape into a meditation on perception itself.