Group on main street--Taos, New Mexico by Robert Frank

Group on main street--Taos, New Mexico 1955

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print, photography, gelatin-silver-print

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portrait

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print

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landscape

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street-photography

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photography

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gelatin-silver-print

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modernism

Dimensions: sheet: 20.3 x 25.3 cm (8 x 9 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: Here we have Robert Frank's gelatin silver print, "Group on main street--Taos, New Mexico" taken in 1955. It has a very documentary feel to it, like a snapshot in time. It also seems to hint at segregation. What do you see in this piece that speaks to the socio-political context of the time? Curator: It's interesting you pick up on the segregation. Frank, in "The Americans", was consciously engaging with social divisions and marginalized communities. This image, while seemingly a simple street scene, gains power through its context within his larger body of work and the socio-political landscape. Editor: How so? Curator: Consider the era. The 1950s was a period of supposed American prosperity, but beneath the surface lay deep inequalities. Frank’s outsider perspective as a Swiss immigrant allowed him to capture these contradictions that might have been overlooked. Who do you see presented as part of the landscape and who seems alienated? Editor: The Indigenous woman standing off to the side versus the men who look like they may be associated with some sort of government... it almost tells a story of power imbalance and whose voice is heard. Curator: Precisely. And the composition reinforces this. Frank positions the group of men centrally, claiming the visual space, while the woman is literally against the wall, visually pushed to the periphery. The photograph subtly highlights the power dynamics embedded within seemingly ordinary situations, particularly in the Southwest, and it prompts us to question whose narrative is being prioritized in representations of America. Editor: Wow, I hadn't considered the immigrant perspective informing his choices and framing of the subject! Curator: Frank used his 'outsider' position to make a political statement using documentary practices. That makes his imagery extremely relevant in our world even today. Editor: Thanks, that helps unpack so much in the photograph; from its making to its message. I will think about it from a broader perspective from now on.

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