[no title] by Giuseppe Penone

[no title] 2000

0:00
0:00

Dimensions: image: 192 x 147 mm support: 431 x 355 mm

Copyright: © Archivio Penone | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: This striking piece is by Giuseppe Penone. Measuring 192 by 147 mm, it presents a tightly rendered study in line and form. Editor: It's immediately mesmerizing. The concentric lines pull you inward, almost like staring into a dark pool. Curator: Indeed. Note the careful construction of these lines. They vary in weight and density, creating a subtle play of light and shadow that defines the central void. The absence of color directs our focus to the materiality of the lines themselves. Editor: It evokes ideas of growth and time, echoing the rings of a tree. I can't help but think about life's journey and our inevitable return to the source. Curator: A persuasive interpretation. The piece offers a focused exploration of depth and texture, achieved through purely formal means. Editor: I find that Penone’s stark rendering resonates deeply with notions of origin and destiny, the cycle of existence. Curator: A beautiful cycle reflected in exquisite composition. Editor: Indeed. A fascinating piece, whichever way you look at it.

Show more

Comments

tate's Profile Picture
tate 1 day ago

http://www.tate.org.uk/art/artworks/penone-no-title-p78571

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 1 day ago

This is one of a suite of eleven images and twelve pages of text from the portfolio entitled Footsteps on Mulberry Tree Tops. The portfolio was produced in an edition of twenty-one plus four artist’s proofs. Tate’s copy is the twentieth in the edition, the first half of which was published in book form, the second as loose leaves in a box. The images were printed from plates made in the artist’s studio in San Raffaele, Turin by the publisher Jacob Samuel in Santa Monica, California. They were all made using the chin collé technique and a combination of softground etching, spitbite, hardground etching, whiteground aquatint and drypoint.