Oude sarcofaag welke dienst doet als drinkbak in Terracina by Louis Ducros

Oude sarcofaag welke dienst doet als drinkbak in Terracina 1778

0:00
0:00

drawing, ink

# 

drawing

# 

neoclacissism

# 

blue ink drawing

# 

landscape

# 

ink

Dimensions: height 178 mm, width 245 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, this drawing. It's an ink drawing by Louis Ducros, titled "Oude sarcofaag welke dienst doet als drinkbak in Terracina"—"Old sarcophagus serving as a drinking trough in Terracina." Ducros sketched it in 1778. It's currently held at the Rijksmuseum. My first thought is of stark beauty—stripped back to the essentials, quite literally, as it’s of a sarcophagus. What does it say to you? Editor: Desecration, actually. Such profound violation turned utterly banal. To think this object, once treated with reverence, has become mere utility, a glorified water bowl! But then again, what other narrative than adaptation could we impose onto inanimate objects? Curator: Absolutely, the scene almost feels ghost-like, rendered in delicate washes of gray. Notice the heavy shadows contrasted with the brightness of the center--the sunlight really highlights the irony, don't you think? Life persisting amid remnants of death? Editor: Well, precisely. I'm reminded of Walter Benjamin's "Theses on the Philosophy of History" and the notion of "cultural treasures" always carrying a record of barbarism. Think of whose labor built the tomb from which this sarcophagus comes. Its presence raises thorny questions. Curator: Ducros seems fascinated, almost romantic, viewing the sarcophagus. It becomes less of a memorial object, and more architectural, with the pillers in the background mimicking its shape. And did you catch that the landscape style aligns with the broader Neoclassical movement? The image appears sparse, pristine, and ordered in such a unique way. Editor: I do see that. However, let's also think about access, though, about whose gaze is valued. What was Ducros thinking in immortalizing this particular subject through ink on paper? For whom was this captured, shared, viewed? Were other, more authentic narratives pushed aside in order to create it? Curator: These are good points to consider. Maybe we, too, are transforming it into something beyond Ducros’ original intentions just by discussing it. Perhaps all art is just a drinking trough for ideas. Editor: That is probably true, ideas refreshing us, sometimes drowning us... and now our listeners, so until next time...

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.