Zeventiende-eeuwse keuken op de Historische Tentoonstelling Amsterdam in 1876 1876
photography, albumen-print
still-life-photography
dutch-golden-age
photography
genre-painting
albumen-print
realism
Dimensions height 157 mm, width 115 mm
Editor: Here we have Pieter Oosterhuis’s “Seventeenth-Century Kitchen at the Amsterdam Historical Exhibition in 1876”, rendered in albumen print. It's quite a detailed interior shot, with all these gleaming plates and a massive window. What’s your take on this particular image? Curator: This albumen print interests me specifically as a record of display and consumption. We see the trappings of 17th-century domestic life presented at the Amsterdam Historical Exhibition. It highlights how objects become symbols and how photographic documentation contributes to their commodification and re-presentation. Consider the labor involved in producing and then displaying each of these items—what does that say about Dutch Golden Age ideals, as they were understood in the 19th century? Editor: So it's not just a snapshot of a kitchen; it’s about the *idea* of that kitchen being presented for consumption. Like, how many hours went into cleaning all that pottery so it could be gleaming on display? Curator: Precisely. The labor to *prepare* the domestic interior *for display* at the exhibition is made invisible here. We only see the seemingly "natural" order of things, the final composition for the exhibition, without the dirt, the toil, or the costs. Doesn’t it strike you as odd that someone would consider photographing an *exhibition* rather than the thing itself? Editor: It does. It feels very meta. Curator: Yes. The image becomes a product itself, replicating and distributing a particular vision of history and domesticity. These plates, this furniture - now available to be consumed as an image, in addition to as an object. What do we gain and lose when a domestic scene from the past is re-presented this way? Editor: I hadn't really considered the act of staging and photographing a display, as an action and a material act. That’s a really helpful perspective. Thanks! Curator: Indeed. Focusing on materials, processes, and the labor they embody reveals a great deal.
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