The Banquet for the Return of the Prodigal Son 1631 - 1641

Editor: This print, titled "The Banquet for the Return of the Prodigal Son," dates back to the 1630s and is attributed to an anonymous artist. It seems to be an engraving on laid paper, depicting a scene filled with figures and architectural details. There's a definite sense of wealth and celebration, but something feels a little… staged. What do you see in this piece? Curator: Well, considering this piece through a historical lens, it's fascinating to consider its public function. The prodigal son was a key element of post-Reformation Catholic teachings about contrition, repentance, and forgiveness, at a time when families used fine and decorative art as a form of messaging, demonstrating their values in a post-Reformation cultural climate, in relationship to public morality, civic duty, and religious piety. This looks like the representation of wealth. Are these supposed to be moral and admirable? Editor: So, it’s more than just showing a happy family reunion. You are saying that It might be sending signals about values. Like, 'Look how generous and pious we are!' I guess the opulence struck me the wrong way initially. Curator: Exactly. Think of the socio-political context. The print itself, its availability, and the people it represents also factor into play here. Who had access to prints like these, and what messages were they internalizing about social hierarchy and religious devotion? Do you see how the architecture and fine details communicate that? Editor: That's really insightful. It changes the way I see the image – it's not just a Biblical scene, but a statement about societal power and influence being marketed to people. Thanks! Curator: Precisely! I am pleased to give you the opportunity to think of those parameters. It allows a more holistic, cultural perspective.