Western Sun by Joseph Lorusso

Western Sun 

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oil-paint

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portrait

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figurative

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oil-paint

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landscape

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oil painting

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portrait drawing

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genre-painting

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realism

Curator: The artwork before us is titled "Western Sun" by Joseph Lorusso, an oil painting. I'm immediately struck by its golden tones. What is your initial read? Editor: Curator: My first impression is one of stoicism mixed with exhaustion, rendered in a very traditional, almost cinematic style. The landscape melds into the cowboy and the bull, all conveying the hardship embedded in the American West. Curator: The landscape indeed informs much of its symbolism. For me, the cowboy's weathered face, his hand shielding his eyes—aren't those familiar poses, echoing centuries of quest narratives? Editor: Exactly. And that trope carries weight. This isn’t simply a painting of a man with a bull; it's an iconography deeply entrenched in American mythology, especially the rugged individual and the human relationship to labor. But I'd challenge that glorification – for whom was this West really 'won?' Curator: It's true, the history is complex. What about the bull? Do you find its sheer size in relation to the human figure intentional, to emphasize an inherent vulnerability or to highlight the intimate partnership forged through hard labor? Editor: It strikes me more as a juxtaposition – power and potential volatility right alongside that quiet moment of reflection, but always a white heteronormative narrative. It lacks an important engagement with other voices involved in the complicated West story, especially BIPOC. Curator: I take your point, but Lorusso appears invested in capturing something enduring. Perhaps this is a symbol for his own endurance, maybe it’s that the cowboy knows a certain kind of symbolic connection. Editor: The sun as the silent, ancient observer. We’ve arrived at this modern symbol only through marginalizing indigenous voices. Curator: It speaks volumes of the continuous push and pull within representation itself, about how art can trigger powerful, layered questions about our identity. Editor: Indeed. Hopefully, this piece reminds us that visual tradition doesn't exempt responsibility. Whose West, and for whom does that sun shine?

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