lithograph, print
portrait
lithograph
caricature
romanticism
line
Dimensions height 445 mm, width 300 mm
John Doyle created this print, featuring Robert Peel and Daniel O'Connell, in the 19th century. Here, Doyle satirizes the shifting political landscape of Britain through religious imagery. Peel and O'Connell kneel before a statue of Sydney Smith, a prominent liberal figure. The discarded papers – "Maynooth Grant," "Repeal" – suggest abandoned policies. This tableau reflects the complex relationship between politics and religious sentiment during the period in British history. Doyle uses the visual language of religious repentance to critique the perceived hypocrisy or opportunism of Peel and O'Connell. Political cartoons like this played a vital role in shaping public opinion, fueled by an increasingly literate and politically engaged populace. To understand this image fully, we need to consider the history of British politics, the role of religious institutions, and the rise of popular media. These are the kinds of historical resources that allow us to see how art captures and comments on the social structures of its time.
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