Canary Bird, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes by Allen & Ginter

Canary Bird, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes 1890

drawing, coloured-pencil, print

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drawing

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coloured-pencil

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print

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bird

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ukiyo-e

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coloured pencil

Editor: This is "Canary Bird," a coloured-pencil print from 1890, part of the "Song Birds of the World" series by Allen & Ginter Cigarettes. It’s fascinating how this advertisement presents both freedom and confinement. What do you see in this piece beyond its aesthetic appeal? Curator: Beyond the pleasant depiction, I see a strategic piece of advertising rooted in consumer culture. Allen & Ginter, a cigarette company, is using art to sell a product, blurring the lines between high art and mass-produced commodity. This "drawing", presented as a refined coloured-pencil print, was disseminated widely via cigarette packs. Note how Ukiyo-e style influenced this production - Do you observe how this popular form of Japanese art integrates with global capitalist networks, transforming it into a promotional tool? Editor: That’s really interesting; I didn’t even notice the Ukiyo-e influence. So the aesthetic qualities serve more as a vehicle for consumption? Curator: Precisely. The choice of a "drawing" aims to associate the cigarettes with artistry and quality. This speaks to the consumer's desire for refinement and elevates a common habit, smoking, into something perceived as more sophisticated and cosmopolitan. Consider the labor involved: from the artist creating the image to the factory workers producing the prints and packaging the cigarettes. Editor: That really shifts my perspective. I was initially drawn to the visual harmony, but now I see it as a carefully constructed tool of commerce, masking layers of production and labor. It's almost like a critique of consumerism disguised as advertising. Curator: Exactly. Understanding art within the sphere of materialism helps us unearth the complex interplay of production, consumption, and social messaging that defines our relationship with everyday objects. We begin to think about how materials become so inextricably linked with meaning. Editor: This was quite insightful; thank you. Curator: My pleasure.

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