Study of Kuang Kung 1952

Seong Moy’s ‘Study of Kuang Kung’ is a dance of dark brown and black ink on paper, and it's all about the energy of the line. The thing that grabs me first is the texture – it’s rough and ready, like the woodblock itself is shouting. Look at the way the dark ink clumps and bleeds; you can almost feel the artist wrestling with the material. The lines aren't precious, they're full of life, creating a sense of movement and depth. My eye keeps getting drawn to the top center of the piece. It is like a vortex where the lines converge, creating a focal point that's both chaotic and calming. It’s a really nice example of how a single, intense area can set the tone for the entire piece, rippling outwards. Moy reminds me a little of the German Expressionist woodcut artists. But Seong Moy brings his own flavor to it, a certain lightness, it's like he's winking at you while telling a serious story. You know? That's what art is all about for me, a good conversation, a playful exchange of ideas.