Doorway of the Refectory, Rievaulx Abbey by John Sell Cotman

Doorway of the Refectory, Rievaulx Abbey 1803

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Dimensions: support: 319 x 255 mm support, secondary: 327 x 264 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: John Sell Cotman's watercolor, "Doorway of the Refectory, Rievaulx Abbey," captures a moment of serene decay, doesn't it? Editor: Absolutely, it feels like a breath held, a hushed reverence. The soft washes give it such a wistful air. Curator: Cotman was deeply interested in the picturesque, and Rievaulx, dissolved by Henry VIII, provided the perfect subject. Ruins held a particular fascination, suggesting the transience of power. Editor: I'm drawn to the stark contrast between the detailed architecture and the almost ghostly landscape around it. The solid stone arch feels like it's fading into memory, blending with the environment. Curator: Indeed, Cotman is not just recording a building; he's evoking a feeling, a meditation on time. The doorway becomes a portal to the past. Editor: It's a poignant reminder that even the grandest structures eventually surrender to nature's embrace, isn't it? Curator: Precisely. There's an odd comfort in seeing it portrayed so beautifully.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/cotman-doorway-of-the-refectory-rievaulx-abbey-t08248

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tate 1 day ago

This watercolour was made in 1803 on the first of Cotman's visits to Yorkshire to stay with the Cholmeley family at Brandsby Hall some fifteen niles north of York. It reveals a new interest in his work in the presentation of isolated motifs, and is one of the earliest drawings to show the emergence of his distinctive watercolour style. This style, seen especially in his watercolours made on the banks of the River Greta (no.86), is characterised by the use of carefully ordered areas of flat colour. Cotman drew the famous ruined Cistercian abbey at Rievaulx near Helmsley several times on his trip to North Yorkshire in 1803. This watercolour was etched by him for the series 'Miscellaneous Etchings' (1811). Gallery label, September 2004