Henry IV of France (1553-1610) and Marie de' Medici (1575-1642) c. 1902

Curator: Here we have a bronze medal depicting Henry IV of France and Marie de' Medici. It's part of the Harvard Art Museums collection and, intriguingly, the artist is unknown. Editor: Immediately striking is the contrast. The detail on Henry's side is astonishing. It's almost sculptural, whereas Marie seems more of an afterthought. Curator: Yes, and considering the historical context, it says a lot. Henry IV, a complex figure who converted to Catholicism to unify France, is prominently displayed. Marie de' Medici, his queen, almost fades into the background. Editor: The textures too—the roughness of Henry's beard against the smooth planes of Marie's face—create a stark visual dichotomy. Almost as if we are viewing two separate figures rather than a singular regal image. Curator: Exactly. It reflects the power dynamics of the era. Henry, the strong king, and Marie, the queen consort, whose influence was often behind the scenes, yet vital to the stability of the crown. Editor: Examining the composition and subtle interplay of textures, it really speaks volumes about the function of this object as a display of power. Curator: Indeed. And through this object we gain a fascinating glimpse into their relationship and the socio-political structures of the time.