Equestrian Portrait of Man in Profile n.d.

Richard Dighton created this watercolor painting, Equestrian Portrait of Man in Profile, on paper. Dighton was known for his caricatures of fashionable society, and here, he captures a moment of upper-class leisure. The material itself – watercolor on paper – speaks volumes. Unlike the laborious and costly process of oil painting favored by the Royal Academy, watercolor allowed for a quicker, more spontaneous approach. The thin washes of pigment create a sense of immediacy, perfectly suited to capturing fleeting moments. This directness lends itself to caricature. The figure, though rendered with detail, has a slightly exaggerated quality, particularly in the cut of his fashionable coat and the proud bearing of the horse. Watercolors were relatively inexpensive and easily portable, reflecting a shift towards a wider market for art. Dighton cleverly used the medium to tap into a growing culture of celebrity and social commentary, making art about the elite accessible to a broader audience. The production process, therefore, mirrors the social mobility that Dighton both observed and participated in.