Ise, from an untitled series of Thirty-six Immortal Poets c. 1767 - 1768

Ise, from an untitled series of Thirty-six Immortal Poets, was created by Suzuki Harunobu in Japan in the 18th century using woodblock printing techniques. This work emerges from a cultural milieu that celebrated poetry and refined aesthetics, during a time of relative peace in the Edo period. Here, Harunobu depicts a woman, elegantly adorned, standing in what appears to be a contemplative pose within a traditional Japanese interior. This image subtly challenges the viewer to consider the role of women in artistic and intellectual life. Is the woman merely an object of beauty or a symbol of cultural and poetic achievement? The series this print belongs to re-imagines classical poets in contemporary settings, creating a dialogue between past and present, tradition and innovation. Harunobu captures a sense of fleeting beauty and quiet contemplation. What do you think this image says about the position of women in Japanese society at the time?