Travellers Attacked by Banditti by  Philip James De Loutherbourg

Travellers Attacked by Banditti 1781

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Dimensions: support: 673 x 1051 mm frame: 864 x 1258 x 88 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Philip James De Loutherbourg painted "Travellers Attacked by Banditti." It's currently held at the Tate. Editor: Well, it certainly feels chaotic. The light’s dramatic, like a stage set, and the figures are almost lost in the landscape. Curator: De Loutherbourg was very interested in theatrical design, so that checks out. He was also exploring the sublime, the raw power of nature. Notice how the robbers and travelers are dwarfed? Editor: Absolutely! And the contrast between the soft, romantic sky and the brutal scene on the ground… it's quite disturbing. What do you make of the brushwork? Curator: It's fascinating. Looser in the landscape, emphasizing texture, but tighter and more controlled for the figures, almost like a miniature history painting embedded within the larger scene. The economics of art demanded different levels of finish, for sure. Editor: I suppose it’s this unsettling mix that makes it stick with you, long after you’ve walked away. Curator: Precisely. It’s a reminder that even the most beautiful scenery can conceal violence and struggle.

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tate about 1 month ago

http://www.tate.org.uk/art/artworks/de-loutherbourg-travellers-attacked-by-banditti-t00921

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tate about 1 month ago

This painting focuses on bandits attacking a stagecoach and outriders in a narrow mountain pass. In folk legend banditti were exotic outsiders instead of common robbers, rather like Robin Hood’s ‘merry men’. De Loutherbourg’s landscapes directly echo ‘savage’ landscapes of the seventeenth-century italian artist Salvator Rosa. Despite his preference for ‘the great style’, Reynolds was willing to admit the qualities of another, ‘inferior’ style, best seen in Rosa’s work. Reynolds thought Rosa’s landscapes lacked ‘that elevation and dignity which belongs to the grand style’ but had instead ‘a sort of dignity which belongs to savage and uncultivated nature’. Gallery label, September 2004