Twee bomen en een poel met waterplanten 1809 - 1841

Editor: This is "Two Trees and a Pool with Aquatic Plants" by Joannes Bemme, dating from 1809 to 1841. It’s an ink drawing on paper, currently held at the Rijksmuseum. I find it very stark. What elements of composition stand out to you in this piece? Curator: The starkness arises primarily from the stark linearity within. The composition bifurcates horizontally into discrete registers of representation, that being trees over plants. Notice the upper register utilizes hatching to articulate the decay and density of the tree trunks. It begs a key question: is there some symbolism between decay and natural re-growth? Editor: That’s a very good point, a possible symbology of passing and rebirth, and is perhaps an appeal to a cycle within nature itself. Curator: Indeed, further, observe the linearity that constructs these discrete sections is replicated via the verticality of the aquatic plants. Line defines depth and directs the viewer's gaze. The reflections within the water offer a moment of duplicity – the implied depth and dimensionality offer an enticing element, don’t you agree? Editor: Absolutely, the mirroring adds to the implied depth but, also contrasts with the density you pointed out in the trunks of the trees. The hatching there definitely gives the image more "weight". Curator: Precisely. Consider also, the blank space – what function might it serve within the structure of the work? Editor: I suppose the blank areas draw even more attention to the detail included on other regions of the paper. I had not previously considered that, thank you. Curator: My pleasure. Paying attention to compositional elements like this drawing encourages a richer appreciation, don't you think? Editor: I certainly agree. Looking at the formal relationships has really changed how I see this drawing.