print, ink, woodblock-print
portrait
caricature
asian-art
caricature
ukiyo-e
japan
ink
woodblock-print
Dimensions 14 1/2 × 10 1/8 in. (36.83 × 25.72 cm) (sheet, vertical ōban)
This woodblock print captures Actor Sawamura Tosshō I as Kakogawa Honzō, created by Utagawa Kunisada. We observe the actor in character, framed within a fan-shaped cartouche, holding what appears to be a document, perhaps a letter or a decree. The fan itself is a symbol, not merely of cooling, but of status and power. Consider its presence in various eras—from the flabella in ancient Egypt, used to fan pharaohs, to its adoption in European courts. In each context, it signifies authority. Even the document held by the actor, reminiscent of proclamations or sacred texts, carries weight, like the tablets of law etched in stone, demanding respect and obedience. What resonates here is not just the narrative of the play, but the enduring motifs of power and representation—symbols that transcend time, resurfacing in diverse cultural forms. These images tap into our collective memory, echoing through history.
Comments
Related to the plav Kanadehon Chūshingura, performed at the Kawarazaki Theater, 1833, third month. Utagawa Kunisada’s bust portraits from the 1820s and 1830s typically show actors against a plain background accompanied by poems composed by the portrayed actors. Here, the portrait is fan shaped, allowing the image to be cut out and affixed to an actual fan. This series is also an early example of product placement, as a packet of Bien Senjokō face powder appears at the bottom of each print. It seems that the prints were delivered together with the powder or that the producer of the powder paid for some of the production costs of the print.
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