Clock 1585 - 1615

Editor: This stunning metal sculpture, dating from 1585 to 1615, functions as a clock! Its baroque style is impressive, but what really strikes me is the overt display of power. One figure kneels and holds the clock face up, while another poses victoriously on top. What statement do you think the artist was trying to make with this piece? Curator: This clock presents an intriguing look into the societal values of the late 16th and early 17th centuries. The kneeling figure supporting the clock could represent Atlas, burdened with the weight of time or perhaps a commentary on the working class. The figure above him would, perhaps, represent authority. We have to consider the function of such an ornate object; it’s not merely to tell time. Editor: So, it’s about social hierarchy? A reminder to its owner of their privileged position and the burdens placed on others? Curator: Precisely! During the Baroque period, decorative arts were tools used to demonstrate power and wealth. Owning such an elaborate timepiece was a status symbol and communicated social standing. Think about where this clock might have been displayed – likely in a prominent location where visitors could take note of its grandeur. Its mere existence performs a function for its owner. Editor: That’s a fascinating perspective! I hadn't considered how its display contributes to the clock's meaning beyond telling time. It makes me rethink the relationship between art and power in that era. Curator: Indeed. And consider who had access to clocks at this time. Its message wasn't just about power, but about control over one's time and, by extension, one's destiny. Editor: It definitely sheds light on how even functional objects can reflect the complex socio-political landscape of their time! Thank you for pointing out how social standing influenced this.