Modes et Manières d'Aujourd'hui, 1922, Pl. 12 : L'écran 1922 - 1923

Fernand Siméon created this print, titled "The Screen," in 1922, as part of a series on contemporary fashion. The print's most striking element is the large, stylized face looming in the background, reminiscent of Japanese Kabuki theater masks, known for their exaggerated expressions. These masks are not merely decorative; they are powerful cultural symbols intended to evoke strong emotions in the audience. The Kabuki mask finds echoes in the ancient Greek theater, where masks amplified the actors' voices and emotions, allowing them to embody archetypal characters on stage. Even now, the mask serves as a potent means of conveying a wide range of intense emotions – fear, anger, sorrow, joy – tapping into our collective memory and subconscious associations. Notice how this symbol has resurfaced, evolved, and taken on new meanings in different historical contexts.