Self Portrait 1955

Hélène de Beauvoir made this self-portrait without a date using oil paint, judging from the matte surface. The artist has translated her face into a tessellated network of geometric shapes, with hard edges which interlock like a puzzle. See how the sharp, directional strokes of colour create a sense of volume and depth, but also break down any clear delineation of the subject’s identity. The surface seems evenly painted, concealing any dramatic gestures or textures. The paint looks thinned, washy. The overall effect has a formal restraint, yet within this is an intimacy. Consider the delicate blush of colour in the cheek, or the light, inquisitive blue of the eye. In a broader context, the painting reminds me a little of Sonia Delaunay's exploration of colour and form, in its geometric abstractions. What do you think?