"They began at once their frightful charivari." from the Little Miseries of Human Life by J. J. Grandville

"They began at once their frightful charivari." from the Little Miseries of Human Life 1843

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drawing, lithograph, print

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drawing

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lithograph

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print

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romanticism

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men

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genre-painting

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musical-instrument

Dimensions: Sheet: 11 1/4 × 7 1/2 in. (28.5 × 19 cm)

Copyright: Public Domain

Editor: This is a lithograph from 1843 by J. J. Grandville titled "They began at once their frightful charivari," and it appears to be from "The Little Miseries of Human Life." It feels like a street scene, with a group of musicians serenading – or perhaps bothering – a seated man. What do you see in this piece? Curator: Immediately, I'm drawn to the 'charivari' itself. The name points to a public ritual, a noisy demonstration, often used to express disapproval. We see musical instruments here – the violin, what looks like a harp – yet consider how these might symbolize disharmony rather than celebration in this specific social context. How does the artist use those instruments and performers to generate a critical observation of daily life? Editor: That's a really interesting way to put it. So, rather than appreciating a nice melody, we are encouraged to look at a disturbance, a misery? Curator: Precisely. The Romantic era often explored the shadow side of life, turning towards satire and social critique. Think of the harlequin figure: clown, trickster, rebel. The "frightful" nature is the key here; it implies an almost carnivalesque inversion of normal social order. Do you see that hinted at in the almost grotesque features of the figures playing music, in their exaggeration? Editor: Now that you mention it, they are less idealized than one might expect. Almost caricatures of musicians. Perhaps the seated man isn't just a victim, but represents something that these 'rebels' are pushing against? Curator: Exactly! This print becomes a commentary on societal tensions, expressed through the visual language of disturbance. Grandville uses familiar images – music, street scenes – but infuses them with symbolic weight to suggest deeper unrest. Editor: This makes me appreciate how much visual information and cultural history can be packed into a seemingly simple print! Curator: Indeed, seeing beyond the immediate image allows us to understand the cultural memory embedded in visual symbols.

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