Straatgezicht met man met boek 1736 - 1738

Curator: This engraving, known as "Straatgezicht met man met boek," roughly translates to "Street Scene with Man Holding Book," created by Nicolas de Larmessin III sometime between 1736 and 1738, offers a curious glimpse into 18th-century life. Editor: My first thought is the print appears incredibly stagey! It reminds me of a theatrical production with its figures posed stiffly in what appears to be an outdoor location but with obviously studio-like lightning. The dogs, too, look like stage props. Curator: It does have that air, doesn’t it? Engravings like these were crucial for disseminating narratives and social commentary. Consider the inscription below the image, which adds another layer, hinting at secrets and perhaps a lover's quarrel. The man holding the book, caught in an unexpected encounter. Editor: Exactly, an object’s place, purpose, and value often shift, based on the consumer's need, not necessarily inherent meaning. What exactly is being bartered and what system dictates this street side transaction of power. Look at that man in his breeches, the material and tailored labour of it! Curator: Indeed, this could be interpreted as a playful commentary on social norms, appearances, and perhaps even the fleeting nature of romantic relationships within that aristocratic milieu. Engravings were relatively accessible, acting as the newspapers of the day. What messages were the artists empowered to publish through it? Editor: It makes you consider the tools required: the burin, the plates, the paper itself. Consider the manual labour involved, replicating these images multiple times so as to broaden access across societal strata. How many prints, made for how many patrons. And all because, an upper class gent had an extramarital dalliance in his sights… Curator: It's easy to imagine this engraving hanging in someone's home, prompting conversations and shaping perceptions of the era's social landscape. The interplay of characters and their setting is compelling. Editor: Compelling is a good word. You leave contemplating labour as both art form and essential social narrative. Thank you.